Why classical musicians should improvise to keep their audience
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Dolan, D., Sloboda, J., Jensen, H., Cruts, B., & Feygelson, E. (2013) ‘The improvisatory approach to classical music performance: An empirical investigation into its characteristics and impact’. Music Performance Research (Nov 2013 issue).
Dolan, D. (2005) ‘Back to the future: towards the revival of extemporization in classical music performance’. In G. Odam & N. Bannan (Eds.), The reflective conservatoire: Studies in music education (97-136). Aldershot: Ashgate Publishing.
Taking the risk and enjoying it (Classical Piano Magazine)
Walking freely on a firm ground (Classical Piano Magazine)
Bringing together the instinct and the flow (Classical Piano Magazine)
The classical style (Classical Piano Magazine)
Chopin’s testament (Classical Piano Magazine)
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Why classical musicians should improvise to keep their audience
Download Articles
Dolan, D., Sloboda, J., Jensen, H., Cruts, B., & Feygelson, E. (2013) ‘The improvisatory approach to classical music performance: An empirical investigation into its characteristics and impact’. Music Performance Research (Nov 2013 issue).
Dolan, D. (2005) ‘Back to the future: towards the revival of extemporization in classical music performance’. In G. Odam & N. Bannan (Eds.), The reflective conservatoire: Studies in music education (97-136). Aldershot: Ashgate Publishing.
Taking the risk and enjoying it (Classical Piano Magazine)
Walking freely on a firm ground (Classical Piano Magazine)
Bringing together the instinct and the flow (Classical Piano Magazine)